Street art stares back from a wall in the 19th arrondissement.
As temperatures climb Parisians sit.
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A 2019 article from Paris Perfect suggests that if one were to visit a different café terrace every day, it would take nearly 30 years to see them all. Parisians lounging on café terraces all day isn’t just a stereotype—it’s a cultural cornerstone. And as long as there's sunshine, temperatures don't really matter. Sipping an espresso or nursing a glass of rosé, people-watching is an art form, where time slows and conversation reigns supreme. It’s not laziness; it’s a deliberate embrace of la vie en rose, where life’s pleasures trump the hustle.
From Montmartre to rue Montorgueil, from the Marais to Montparnasse, these sidewalk perches are cherished salons—part social hub, part philosophy meetup—where a quick coffee can stretch into hours without apology and without a pesky waiter bringing the bill before you ask for it. - BPJ
Maximilien Luce (1858–1941) was a trailblazer of Neo-Impressionism and key figure in anarchist and libertarian communities. Leaving an indelible legacy through his deep artistic and political passions, his paintings of urban and rural scenes as well as the human experience reflect the social and industrial shifts of his time. Although his stunning landscapes take center stage in this exhibition, he also portrays subjects that were unexplored by his fellow Pointillists, such as workers in motion.
The humanistic spirit at the core of his work defines its essence, yet landscape remains a central theme that energized his art throughout his career. With a distinctive sensitivity, Luce masterfully portrays light and color. This exhibition, the first major Paris retrospective of Luce since 1983, showcases his artistry and brings his frequently underappreciated work to a wider audience.
Luce lived on rue Cortot from 1887 until 1899, just steps from where this exhibition, the first Paris retrospective since 1983, is now being held. — BPJ
From organic wines, honey, salts and foie gras tastings to crêpe stands, flower stalls and ready-made traiteur dishes (above) the sprawling Bastille market caters to every taste.
Ever-changing graffiti climbs a wall.
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Rue Dénoyez, tucked away in the vibrant Belleville neighborhood of Paris’ 20th arrondissement is often simply dubbed, "The Graffiti Street.” Some years ago it appeared it would see its last stencil, but it held fast: locals wanted to keep their dazzling open-air gallery where urban art reigns supreme, a 156-meter-long alley-like street that no matter what time of year, bursts with color, its walls plastered with ever-changing murals, tags and street art. And sometimes, among the chaos, masterpieces crafted by local and international artists could be spotted. Once home to abandoned shops, today it's a creative hotspot where spray cans (legally) hum as fresh works overwrite the old, ensuring no two visits are the same. Despite past threats from redevelopment - like the 2014 push for social housing and a nursery - it’s held on to its rebellious soul, blending gritty charm with a community feel. Just steps from the Belleville metro, it’s a must-see for art lovers who crave a raw, unpolished slice of Paris’ underground culture. - BPJ
Happy Saint Patrick's Day
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Some Irish pubs in Paris to lift a glass:
- Check for info and opening hours -
Window into the mesmerizing worlds of Pablo Picasso and Henri (Le Douanier) Rousseau.
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Pablo Picasso and Henri Rousseau are the latest dynamic duo pairing at the Atelier des Lumières, with both men's artistic styles diverging dramatically despite sharing the same era. Picasso, a titan of modern art, pioneered Cubism with its fragmented, abstract forms, breaking reality into geometric shards that challenged perception. Like his revolutionary Les Demoiselles d'Avignon, Picasso's work pulsed with intellectual complexity and emotional intensity, often bending perspective to mirror the chaos of the human experience. In contrast, Rousseau, known as Le Douanier, was a self-taught naïf who painted with a childlike simplicity, crafting flat, dreamlike jungle scenes. His style leaned on vivid colors and meticulous detail, exuding a serene, almost surreal innocence that ignored academic norms. Where Picasso dissected the world, Rousseau enchanted it, offering a whimsical escape to Picasso’s cerebral upheaval. Together, they highlight the era’s spectrum: innovation versus intuition, fragmentation versus fantasy. - BPJ
Above: Pablo Picasso (1881 - 1973)
Below: Henri (Le Douanier) Rousseau (1844 - 1910)
Currently at Le Grand Palais Champs-Élysées:
Ends March 19, 2025
A whimsical sculpture inside the magnificent L'Église Saint-Eustache commemorates the departure of the legendary "Belly of Paris" market in old Les Halles.
Old Rue des Rosiers once lined with roses dates from the days before street signs when streets were named for a landmark or function.